Think of this as more of a really helpful tip with a plugin to go along with it. There are enough good new ideas to do that I don’t want to fall into the trap of repackaging old tricks.
Because this is a feature we all already have, I didn’t feel right about charging money for it. Rather than spending loads of money on a big dongle and then more money on a plugin, I decided just to make my own.Įven though it is super simple, I think it lived up to it’s hype. I read reviews on a certain plugin that claimed to enhance the low end with a resonant high pass filter, and everybody who tried it seemed to love it. The reason why I made a dedicated plugin for this is because even though I had the capability to put a resonant high pass filter on my tracks for the past 15 years using my stock EQ, the thought never occurred to me to try it. Truthfully, what you get here can be accomplished with pretty much any digital EQ plugin. That said Boz Digital Labs are very honest about this plug-in and what it can.
While the controls are super simple, the effect that this has on controlling the low end in a mix is pretty exciting. I like to think of it as a way to boost the low end while still keeping it under control.
Stereo-mono switch - use this on a Master fader to check your mono compatibility.MS decoder - use this and then use conventional plug-ins to process using MS.But it is still a useful guide for any other territory as the various versions of the standard are very close to each other. Like the Avid Pro Limiter it only displays the EBU R128 scale so it is great for UK and Europe and any other territory that adopts the R128 standard. Precise metering (peak, hold, EBU, LRA) - Although there is only one loudness meter in an instance of the plug-in, there is nothing stopping having 3 instances one with the Integrated, a second with Short Term and a third displaying Momentary.The HOFA 4U Meter, Fader & MS Pan is a free plug-in with so much going for it.
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